Some 6,500 titles from the silent era to the latest productions are available to cinemas, festivals and similar institutions. Restoration projects include HAMLET (D 1920/21) with Asta Nielsen and DIE HOCHBAHNKATASTROPHE (D 1921) by Valy Arnheim.Ī significant portion of the DFF’s holdings is available for international distribution, as films should not only be preserved, but also shown. The DFF regularly restores films in a complex analog and digital process. The collection continues to grow through purchases, deposits, donations, and collaborations with filmmakers, production and distribution companies, collectors, and private individuals. In addition, there are films in the rare 28mm format, the wide-screen 70mm format, and various video and digital formats. The DFF’s film holdings include not only works in the classic 35mm and 16mm cinema formats, but also amateur film formats such as 8mm, 9.5mm or 17.5mm. The collection of the Munich production company Insel Film, for example, comprises more than 5,000 advertising films from the history of the Federal Republic of Germany. A special focus of the DFF archive is advertising and industrial films. The same applies to the animation collection, with works by Lotte Reiniger, Oskar Fischinger and the Diehl brothers. The DFF’s collection of historical German films before 1945 is of international importance. The collection includes films from early cinema, the German avant-garde of the 1920s and 1930s, classics from the cinema of the Weimar Republic, the New German Cinema and European auteur cinema. The approximately 20,000 films in the archive include feature films, short films and documentaries, as well as amateur and experimental films. The central tasks of the Film Archive are the collection, preservation and restoration of films. Network for Early Childhood Cultural Education.Study program “Culture – Education – Participation.Intercultural Film Club Blickwechsel Jetzt!.Visualizing Research Data on Women in Film History (DAVIF).Selected titles from our distribution catalogue.Visitor Information / Admission & Tickets.You can see the rate card here for the various prices per second. If you'd like to use the films for broadcast or other commercial purposes, the archive is looked after by our friends at BFI National Archive. If you're not sure whether your planned use falls within these conditions, or you want to ask about accessing higher resolution versions of the films, contact us at Commercial use View, download and play with the archive at. The films were designed to show the world how Britain lived, worked and played. is part of the British Council film archive of short documentaries made by the British Council during the 1940s. Our preferred credit for film and any printed/web material is: This means that you can do what you like with them – provided that you attribute them to us and that you use them non-commercially (put simply: that you credit British Council and that no one pays you for a ticket to see them). (Please see individual films for details as there are a couple of exceptions). Non-commercial useĪlmost all the films in our archive are available under the 'Attribution-Non-Commercial' Creative Commons licence which means you are actively encouraged to use and play with them. Some of the films also have an option to go even deeper, and learn a little more about how each was made. the original synopses for the films written at the time each film was made.You are free to download these films, play with them, reinterpret them, and share your interpretations with the world. Instead we want people to have fun with it, use it as a creative resource and source of inspiration. This collection is much more than simply to be a static directory of old film. You can watch the films online here and you can download them too. From unique snapshots of British life in the 1940s, spotlights on British crafts, industries and traditions, and even a selection of curiosities (including the life-cycle of rabbits), our film archive is a delight. Our film archive is for everyone! We hope it will be used by filmmakers, teachers, historians and researchers amongst others.
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